Living Room Lighting Ideas images

Sabtu, 31 Mei 2014

living room lighting ideas images I found:



Celebrating Death in the British Museum
living room lighting ideas
Image by Wootang01
9.4.09
The flight arrived on time; and the twelve hours while on board passed quickly and without incident. To be sure, the quality of the Cathay Pacific service was exemplary once again.

Heathrow reminds me of Newark International. The décor comes straight out of the sterile 80's and is less an eyesore than an insipid background to the rhythm of human activity, such hustle and bustle, at the fore. There certainly are faces from all races present, creating a rich mosaic of humanity which is refreshing if not completely revitalizing after swimming for so long in a sea of Chinese faces in Hong Kong.

Internet access is sealed in England, it seems. Nothing is free; everything is egregiously monetized from the wireless hotspots down to the desktop terminals. I guess Hong Kong has spoiled me with its abundant, free access to the information superhighway.


11.4.09
Despite staying in a room with five other backpackers, I have been sleeping well. The mattress and pillow are firm; my earplugs keep the noise out; and the sleeping quarters are as dark as a cave when the lights are out, and only as bright as, perhaps, a dreary rainy day when on. All in all, St. Paul's is a excellent place to stay for the gregarious, adventurous, and penurious city explorer - couchsurfing may be a tenable alternative; I'll test for next time.

Yesterday Connie and I gorged ourselves at the borough market where there were all sorts of delectable, savory victuals. There was definitely a European flavor to the food fair: simmering sausages were to be found everywhere; and much as the meat was plentiful, and genuine, so were the dairy delicacies, in the form of myriad rounds of cheese, stacked high behind checkered tabletops. Of course, we washed these tasty morsels down with copious amounts of alcohol that flowed from cups as though amber waterfalls. For the first time I tried mulled wine, which tasted like warm, rancid fruit punch - the ideal tonic for a drizzling London day, I suppose. We later killed the afternoon at the pub, shooting the breeze while imbibing several diminutive half-pints in the process. Getting smashed at four in the afternoon doesn't seem like such a bad thing anymore, especially when you are having fun in the company of friends; I can more appreciate why the English do it so much!

Earlier in the day, we visited the Tate Modern. Its turbine room lived up to its prominent billing what with a giant spider, complete with bulbous egg sac, anchoring the retrospective exhibit. The permanent galleries, too, were a delight upon which to feast one's eyes. Picasso, Warhol and Pollock ruled the chambers of the upper floors with the products of their lithe wrists; and I ended up becoming a huge fan of cubism, while developing a disdain for abstract art and its vacuous images, which, I feel, are devoid of both motivation and emotion.

My first trip yesterday morning was to Emirates Stadium, home of the Arsenal Gunners. It towers imperiously over the surrounding neighborhood; yet for all its majesty, the place sure was quiet! Business did pick up later, however, once the armory shop opened, and dozens of fans descended on it like bees to a hive. I, too, swooped in on a gift-buying mission, and wound up purchasing a book for Godfrey, a scarf for a student, and a jersey - on sale, of course - for good measure.

I'm sitting in the Westminster Abbey Museum now, resting my weary legs and burdened back. So far, I've been verily impressed with what I've seen, such a confluence of splendor and history before me that it would require days to absorb it all, when regretfully I can spare only a few hours. My favorite part of the abbey is the poets corner where no less a literary luminary than Samuel Johnson rests in peace - his bust confirms his homely presence, which was so vividly captured in his biography.

For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold - 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I've had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.

Having had my fill of football, I decided to skip my ticket scalping endeavor at Stamford Bridge and instead wandered over to the British Museum to inspect their extensive collections. Along the way, my eye caught a theater, its doors wide open and admitting customers. With much rapidity, I subsequently checked the show times, saw that a performance was set to begin, and at last rushed to the box office to purchase a discounted ticket - if you call a 40 pound ticket a deal, that is. That's how I grabbed a seat to watch Hairspray in the West End.

The show was worth forty pounds. The music was addictive; and the stage design and effects were not so much kitschy as delightfully stimulating - the pulsating background lights were at once scintillating and penetrating. The actors as well were vivacious, oozing charisma while they danced and delivered lines dripping in humor. Hairspray is a quality production and most definitely recommended.


12.4.09
At breakfast I sat across from a man who asked me to which country Hong Kong had been returned - China or Japan. That was pretty funny. Then he started spitting on my food as he spoke, completely oblivious to my breakfast becoming the receptacle in which the fruit of his inner churl was being placed. I guess I understand the convention nowadays of covering one's mouth whilst speaking and masticating at the same time!

We actually conversed on London life in general, and I praised London for its racial integration, the act of which is a prodigious leap of faith for any society, trying to be inclusive, accepting all sorts of people. It wasn't as though the Brits were trying in vain to be all things to all men, using Spanish with the visitors from Spain, German with the Germans and, even, Hindi with the Indians, regardless of whether or not Hindi was their native language; not even considering the absurd idea of encouraging the international adoption of their language; thereby completely keeping English in English hands and allowing its proud polyglots to "practice" their languages. Indeed, the attempt of the Londoners to avail themselves of the rich mosaic of ethnic knowledge, and to seek a common understanding with a ubiquitous English accent is an exemplar, and the bedrock for any world city.

I celebrated Jesus' resurrection at the St. Andrew's Street Church in Cambridge. The parishioners of this Baptist church were warm and affable, and I met several of them, including one visiting (Halliday) linguistics scholar from Zhongshan university in Guangzhou, who in fact had visited my tiny City University of Hong Kong in 2003. The service itself was more traditional and the believers fewer in number than the "progressive" services at any of the charismatic, evangelical churches in HK; yet that's what makes this part of the body of Christ unique; besides, the message was as brief as a powerpoint slide, and informative no less; the power word which spoke into my life being a question from John 21:22 - what is that to you?

Big trees; exquisite lawns; and old, pointy colleges; that's Cambridge in a nutshell. Sitting here, sipping on a half-pint of Woodforde's Wherry, I've had a leisurely, if not languorous, day so far; my sole duty consisting of walking around while absorbing the verdant environment as though a sponge, camera in tow.

I am back at the sublime beer, savoring a pint of Sharp's DoomBar before my fish and chips arrive; the drinking age is 18, but anyone whose visage even hints of youthful brilliance is likely to get carded these days, the bartender told me. The youth drinking culture here is almost as twisted as the university drinking culture in America.

My stay in Cambridge, relaxing and desultory as it may be, is about to end after this late lunch. I an not sure if there is anything left to see, save for the American graveyard which rests an impossible two miles away. I have had a wonderful time in this town; and am thankful for the access into its living history - the residents here must demonstrate remarkable patience and tolerance what with so many tourists ambling on the streets, peering - and photographing - into every nook and cranny.

13.4.09
There are no rubbish bins, yet I've seen on the streets many mixed race couples in which the men tend to be white - the women also belonging to a light colored ethnicity, usually some sort of Asian; as well saw some black dudes and Indian dudes with white chicks.

People here hold doors, even at the entrance to the toilet. Sometimes it appears as though they are going out on a limb, just waiting for the one who will take the responsibility for the door from them, at which point I rush out to relieve them of such a fortuitous burden.

I visited the British Museum this morning. The two hours I spent there did neither myself nor the exhibits any justice because there really is too much to survey, enough captivating stuff to last an entire day, I think. The bottomless well of artifacts from antiquity, drawing from sources as diverse as Korea, and Mesopotamia, is a credit to the British empire, without whose looting most of this amazing booty would be unavailable for our purview; better, I think, for these priceless treasures to be open to all in the grandest supermarket of history than away from human eyes, and worst yet, in the hands of unscrupulous collectors or in the rubbish bin, possibly.

Irene and I took in the ballet Giselle at The Royal Opera House in the afternoon. The building is a plush marvel, and a testament to this city's love for the arts. The ballet itself was satisfying, the first half being superior to the second, in which the nimble dancers demonstrated their phenomenal dexterity in, of all places, a graveyard covered in a cloak of smoke and darkness. I admit, their dance of the dead, in such a gloomy necropolis, did strike me as, strange.

Two amicable ladies from Kent convinced me to visit their hometown tomorrow, where, they told me, the authentic, "working" Leeds Castle and the mighty interesting home of Charles Darwin await.

I'm nursing a pint of Green King Ruddles and wondering about the profusion of British ales and lagers; the British have done a great deed for the world by creating an interminable line of low-alcohol session beers that can be enjoyed at breakfast, lunch, tea and dinner; and their disservice is this: besides this inexhaustible supply of cheap beer ensnaring my inner alcoholic, I feel myself putting on my freshman fifteen, almost ten years after the fact; I am going to have to run a bit harder back in Hong Kong if I want to burn all this malty fuel off.

Irene suggested I stop by the National Art Gallery since we were in the area; and it was an hour well spent. The gallery currently presents a special exhibit on Picasso, the non-ticketed section of which features several seductive renderings, including David spying on Bathsheba - repeated in clever variants - and parodies of other masters' works. Furthermore, the main gallery houses two fabulous portraits by Joshua Reynolds, who happens to be favorite of mine, he in life being a close friend of Samuel Johnson - I passed by Boswells, where its namesake first met Johnson, on my way to the opera house.

14.4.09
I prayed last night, and went through my list, lifting everyone on it up to the Lord. That felt good; that God is alive now, and ever present in my life and in the lives of my brothers and sisters.

Doubtless, then, I have felt quite wistful, as though a specter in the land of the living, being in a place where religious fervor, it seems, is a thing of the past, a trifling for many, to be hidden away in the opaque corners of centuries-old cathedrals that are more expensive tourist destinations than liberating homes of worship these days. Indeed, I have yet to see anyone pray, outside of the Easter service which I attended in Cambridge - for such an ecstatic moment in verily a grand church, would you believe that it was only attended by at most three dozen spirited ones. The people of England, and Europe in general, have, it is my hope, only locked away the Word, relegating it to the quiet vault of their hearts. May it be taken out in the sudden pause before mealtimes and in the still crisp mornings and cool, silent nights. There is still hope for a revival in this place, for faith to rise like that splendid sun every morning. God would love to rescue them, to deliver them in this day, it is certain.

I wonder what Londoners think, if anything at all, about their police state which, like a vine in the shadows, has taken root in all corners of daily life, from the terrorist notifications in the underground, which implore Londoners to report all things suspicious, to the pair of dogs which eagerly stroll through Euston. What makes this all the more incredible is the fact that even the United States, the indomitable nemesis of the fledgling, rebel order, doesn't dare bombard its citizens with such fear mongering these days, especially with Obama in office; maybe we've grown wise in these past few years to the dubious returns of surrendering civil liberties to the state, of having our bags checked everywhere - London Eye; Hairspray; and The Royal Opera House check bags in London while the museums do not; somehow, that doesn't add up for me.

I'm in a majestic bookshop on New Street in Birmingham, and certainly to confirm my suspicions, there are just as many books on the death of Christianity in Britain as there are books which attempt to murder Christianity everywhere. I did find, however, a nice biography on John Wesley by Roy Hattersley and The Screwtape Letters by C.S. Lewis. I may pick up the former.

Lunch with Sally was pleasant and mirthful. We dined at a French restaurant nearby New Street - yes, Birmingham is a cultural capitol! Sally and I both tried their omelette, while her boyfriend had the fish, without chips. Conversation was light, the levity was there and so was our reminiscing about those fleeting moments during our first year in Hong Kong; it is amazing how friendships can resume so suddenly with a smile. On their recommendation, I am on my way to Warwick Castle - they also suggested that I visit Cadbury World, but they cannot take on additional visitors at the moment, the tourist office staff informed me, much to my disappointment!

Visiting Warwick Castle really made for a great day out. The castle, parts of which were established by William the Conquerer in 1068, is as much a kitschy tourist trap as a meticulous preservation of history, at times a sillier version of Ocean Park while at others a dignified dedication to a most glorious, inexorably English past. The castle caters to all visitors; and not surprisingly, that which delighted all audiences was a giant trebuchet siege engine, which for the five p.m. performance hurled a fireball high and far into the air - fantastic! Taliban beware!

15.4.09
I'm leaving on a jet plane this evening; don't know when I'll be back in England again. I'll miss this quirky, yet endearing place; and that I shall miss Irene and Tom who so generously welcomed me into their home, fed me, and suffered my use of their toilet and shower goes without saying. I'm grateful for God's many blessings on this trip.

On the itinerary today is a trip to John Wesley's home, followed by a visit to the Imperial War Museum. Already this morning I picked up a tube of Oilatum, a week late perhaps, which Teri recommended I use to treat this obstinate, dermal weakness of mine - I'm happy to report that my skin has stopped crying.

John Wesley's home is alive and well. Services are still held in the chapel everyday; and its crypt, so far from being a cellar for the dead, is a bright, spacious museum in which all things Wesley are on display - I never realized how much of an iconic figure he became in England; at the height of this idol frenzy, ironic in itself, he must have been as popular as the Beatles were at their apex. The house itself is a multi-story edifice with narrow, precipitous staircases and spacious rooms decorated in an 18th century fashion.

I found Samuel Johnson's house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.

There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!

I regretfully couldn't stop to try the curry in England; I guess the CityU canteen's take on the dish will have to do. I did, however, have the opportune task of flirting with the cute Cathay Pacific counter staff who checked me in. She was gorgeous in red, light powder on her cheeks, with real diamond earrings, she said; and her small, delicate face, commanded by a posh British accent rendered her positively irresistible, electrifying. Not only did she grant me an aisle seat but she had the gumption to return my fawning with zest; she must be a pro at this by now.

I saw her again as she was pulling double-duty, collecting tickets prior to boarding. She remembered my quest for curry; and in the fog of infatuation, where nary a man has been made, I fumbled my words like the sloppy kid who has had too much punch. I am just an amateur, alas, an "Oliver Goldsmith" with the ladies - I got no game - booyah!

Some final, consequential bits: because of the chavs, Burberry no longer sells those fashionable baseball caps; because of the IRA, rubbish bins are no longer a commodity on the streets of London, and as a result, the streets and the Underground of the city are a soiled mess; and because of other terrorists from distant, more arid lands, going through a Western airport has taken on the tedium of perfunctory procedure that doesn't make me feel any safer from my invisible enemies.

At last, I saw so many Indians working at Heathrow that I could have easily mistaken the place for Mumbai. Their presence surprised me because their portion of the general population surely must be less than their portion of Heathrow staff, indicating some mysterious hiring bias. Regardless, they do a superb job with cursory airport checks, and in general are absurdly funny and witty when not tactless.

That's all for England!


Genmaicha
living room lighting ideas
Image by fred_v
Ca fait longtemps que je voulais prendre une photo avec la jolie lumière du matin dans le salon ; et que je voulais prendre le genmaicha (thé au riz grillé) dans cette boîte que j'aime beaucoup. C'est fait.

I've been wanting to shoot something in the lovely morning light in the living room for a long time now, and I had the idea to take pictures of this japanese tea with grilled rice and its box which I like a lot. Now both are done.


William Mullholand Memorial Fountain - Griffith Park
living room lighting ideas
Image by tkksummers

Today, the William Mulholland Memorial Fountain serves as a not-quite-legal wading pool for children and a photogenic backdrop for wedding parties. Motorists see it as they whiz past the entrance to Griffith Park at Los Feliz Boulevard and Riverside Drive. But few stop and walk around its 90-foot-diameter reflection pool, or know much about the man it honors.

Water appropriately shoots up from this memorial to William Mulholland, the man who built a concrete and steel river through the Mojave Desert and brought water to L.A.'s doorstep. August 1 will mark the anniversary of the memorial's dedication.

Growth--explosive and unending--was the fondest wish of many local businesspeople, land owners and other civic leaders in Mulholland's time. They realized by the 1890s that water--which until then had come exclusively from the Los Angeles River and local wells--limited further development.

Mulholland: The Man and His Work

Mulholland, an Irish immigrant, was a self-taught engineer who became head of the city's Bureau of Water Works and Supply. He supported the plan of another local visionary, Fred Eaton, to redirect water from the Owens Valley, on the eastern slope of the Sierras. Employing 5,000 workers and 6,000 mules, Mulholland completed the 238-mile-long aquaduct in record time and under budget.

The aquaduct, Mulholland estimated, would allow Los Angeles to grow from a quarter million people to 3 million.

There are no fountains honoring Mulholland in the Owens Valley, however. For several years in the 1920s, the Owens Valley and Los Angeles were locked in a bitter water war that occasionally spilled beyond the editorial pages and courtrooms. Mulholland hired armed guards to patrol the aquaduct. Even so, it was dynamited numerous times.

As recently as September 1976, the aquaduct was damaged by saboteurs after the Department of Water and Power announced plans to double its pumping of subsurface water from the Owens Valley. Shortly afterward, an arrow carrying a stick of dynamite and two blasting caps was shot at the Mulholland Memorial Fountain. No one was hurt and the dynamite did not explode. Ironically for the saboteur, the explosive-laden arrow landed in the water.

A Sentimental Dedication

But on Aug. 1, 1940, a warm Thursday evening, the water wars of the 1920s seemed safely in the past. Mulholland, who died in 1935, had outlived most of the controversy his career had generated. And the city had a grand new fountain to dedicate in his honor.

Approximately 3,000 people spilled across Los Feliz Boulevard, some standing on the adjacent hill in Griffith Park. The Los Angeles Police Band played. The Civic Chorus sang. The Aquaduct Post Color Guard presented the flag. Mayor Fletcher Bowron accepted the fountain on behalf of the city, predicting that "as the crystal pureness of the water . . . radiates brilliantly in the sun . . . or shimmers in the colors of myriad electric lights," the fountain would help to develop "a greater civic pride, a more developed civic consciousness."

Mulholland's granddaughter, Katherine Mulholland, was 17 years old at the time. She remembers her sister, Patricia, then nine years old, pushing a button to start the fountain. "That was quite dramatic," she said.

An Appropriate Site Alongside Griffith Park

The site was chosen for several reasons. It was located at one of the city's busiest and prettiest intersections. Furthermore, Mulholland had once lived there in a one-room wooden shack. The man who would build one of the world's great water projects was first employed by the water department as a ditch tender. His job was to keep the "zanja madre"--the city's main water ditch--clear of weeds and debris.

Although a committee comprised of the city's elite oversaw construction of the fountain--and provided most of the funds for it--there was also considerable popular support. Many DWP employees made contributions through payroll deductions. Even school children were asked to donate (including Katherine Mulholland's classmates, which she found a little embarrassing at the time) to the ,000 project.

Over the next several decades, the fountain became a symbol of abundance--the good life, Los Angeles-style. Through a complex maze of timers and jets, the fountain--which operated between 7 a.m. and 11 p.m.--continually changed its shape, a water sculpture in motion.

Color added to the spectacle. Lights played upon the water in ever-varying combinations. Commented newsman Ralph Story in a segment about the fountain on "Ralph Story's Los Angeles" that first aired on KNXT (Now KCBS, Channel 2) on Oct. 6, 1968, "The panel of relays, gears and vertical camshafts . . . produces not only light, but changing light . . . sending the fountain through the entire spectrum of color in a smooth continuous pattern."

The 'Kool Aid' Fountain

Some say these lights made the water look like Kool Aid. A colorized post card of the fountain from the 1940s shows it at night and accentuates the Kool Aid effect. "The idea of colored lights was very much an idea of its place and time," Katherine Mulholland said. "It was Hollywood, after all."

But not all of the fountain's special effects were planned by the DWP. Glendale College Professor of Dance Lynn McMurrey grew up about a mile from the fountain. He remembers one particular Halloween:

We went down there trick or treating. Somebody filled the fountain with soap. When I came down there, Riverside Drive was covered with suds. The fountain was still splashing and the suds were up to the top of it. With the light shining on the soap suds it looked like somebody's fantasy.

The energy crisis of 1973-74 was grim for millions of Americans who waited in long lines and paid record prices for gasoline. But it was grimmer for the fountain. For a while, it was shut down. And for a long while after that, the water was turned on, but the lights weren't.

Today, the problem is aging equipment. The water no longer goes through a continuous cycle of patterns. No colored lights play on it at night. And sometimes it is simply, unceremoniously shut off.

"The tiles are in very bad shape," said Kuno Lill, a maintenance engineer with the DWP. He said that the fountain's water purification system, its electrical system and much of its underground plumbing will have to be replaced. Budget problems have deferred much of its maintenance.

He said the fountain is scheduled for overhaul and rebuilding within the next two years.

Writer's note: This article, one of an occasional series, is part of the Griffith Park History Project, an attempt to chronicle the park's long and remarkable life.

What memories do you have of Griffith Park? Suggestions? Questions? Criticisms?

Please call Mike Eberts at Glendale College 240-1000, Ext. 5352 (I have voice mail, so you can leave a message at any time.)

Write to, Mike Eberts, Griffith Park History Project, Glendale Community College, 1500 N. Verdugo Road, Glendale, CA 91208.

Text taken from
english.glendale.cc.ca.us/fountain.html


Volsky Residence , Boulder, CO - 1965
living room lighting ideas
Image by MidCentArc
Architect: Charles Haertling

Life Magazine: 1966

"Early in Haertling's career he was commissioned by University of Colorado psychology professor Theodore Volsky to design a house for his family of four on a steep hillside lot extending from a mountain stream in west Boulder. The lot featured views in all directions, half of them slightly upwards to the mountains. The Volskys were interested in taking advantage of these views in a dramatic living room situation. The prominent upward views suggested the upwards curving catenary roof form open to the high view areas while still maintaining interior scale. One gets a 360' view from the curtain-less living room of the mountains to the west and south, and the plains and cityscape to the east and north. The steepness of the site was accommodated by lowering the house into the earth as much as possible to the rear and allowing light in by way of large lightwells. For basic economy a circular floor plan was conceived, which allowed for increased circulation in the smaller area of the circle and for larger rooms with minimum access distance. The living room sits atop the circular form blossoming at the highest point from the ground that capitalizes on the excitement of the terrain. The lower level contains a recreation room and the entry. Upon ascending the stairs one emerges into an interior garden which not only surprises and delights, but also is very functional in that it serves also as a short cut between living areas.

During the construction of the Volsky house a dozen of the neighbors collaborated on a letter of protest regarding its "sheer grossness", and voicing their concern over "a definite though incalculable loss of property values." Within a year of the completion of the house Life Magazine printed a 6 page article on it in their Ideas in Houses section. In the following years it appeared on CBS-TV's show "21st Century" hosted by Walter Cronkite, Schonen Wohnen, and L'Architecture D'aujourd'hui magazines. Since that time the Volskys have made a hobby of maintaining the house in its original form."
- www.atomix.com/haertling/volsky.html

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